BRIAN SANDERS

Inspired by the inventiveness of shows like Bob Fosse’s Dancin’ and Pilobolus on Broadway in the 1970s, Brian Sanders resolved to become a choreographer in his own right.

Brian Sanders

Photo by Jessica Griffin.

After an extensive career at MOMIX, Sanders founded his own company, Archetype Dance Company, in 1992. His artistic goal was to make modern dance more accessible to a younger urban audience. Sanders changed the Company's name in 1998 to JUNK, to reflect a growing interest in using found objects as props, enabling people to see creative possibilities in everyday life and showing that dance— along with exploration, invention, and inspiration—can grow out of almost anything.

In the 1990s Sanders broke boundaries with an out and proud nude cover photo on the Philadelphia City Paper showing a bold tattoo on his arm declaring him HIV+. Since his first creative endeavors, Sanders has celebrated his life as an openly gay artist and a long-term survivor of HIV. In 2010 The Philadelphia Inquirer wrote, “In the last two decades, Sanders, 44, has become one of Philadelphia's most enduring and beloved dance-makers. His prolific, daring, and mischievously fun-loving work has endeared him to audiences far and wide, and to the local dance community.” Sanders has also been honored by Equality Forum with a tribute concert for his career as part of the LGBTQ+ community.

The same year, Sanders was honored by Equality Forum with a tribute concert for his career as part of the LGBTQ+ community. His work with JUNK offers a platform for younger artists to foster their creativity and voice within the community.

Now entering its 30th anniversary season, Sanders is nationally recognized and celebrated as a prolific artist—creating accessible, and awe-inducing performances, while continuing to push the boundaries of modern dance.

Many of Sanders’ shows are developed for and premiere at the annual Philadelphia Fringe Festival, Philadelphia’s premiere performing arts festival, known for new, cutting-edge work. Sanders, JUNK, and their following have grown side-by-side with the Fringe Festival. Since 1999, when Sanders launched his first Philadelphia Fringe Festival production, Patio Plastico, Sanders has become recognized as a choreographic iconoclast who offers alternative perspectives to dance—now sought after by more traditional dance and arts organizations looking to present bold work.

Photo by JJ Tiziou.

Background photo by Steve Belkowitz.

MORE ABOUT BRIAN …

Articulate: A Moving Iconoclast
Clip: Season 7, Episode 13 | 13m 58s